On the Feast of the Pandemic Ascension 2020
Epiphany’s
Blood
Stained
Gifts.
Transfigured
With
The
Hammer
of
Blood
Red
Lies.
Illiterate
Brexitian
Rusty
Nails
Hinge
Christ
Pandemic
In
Pain
On
The
Covidian
Cross.
Breeding
Screaming
Echoes
Nightmare
Repeating.
Iago
Tied
Judas
Down.
With
Poz
Greedy
Pleasure
Iago
Raped
Judas
Raw.
Blood
Dyed
Thirty
Pieces
of
Silver.
Ascension’s
Triptych
Salutes
Sentinel
Hinged
Truth
Today.
Torn
Purple
Robes
Wrapped[1].
Rusty
Nail
Marked.
Christ’s
Covidian
Body.
Carries
Pandemic
Home.
Copyright
© Lottie E. Allen
Ascension Day
Thursday 21 May
In the Year of Our Lord Two Thousand and Twenty
[1] There is a deep imperial purple thread of three Feasts
that run through the patterns of the Church’s liturgical year. The Feasts of
the Epiphany, the Transfiguration and the Ascension define the life of the Church.
Through them we learn what the Incarnation looks, feels, and smells like.
The Feast of the Epiphany unpacks the theology of Christmas.
The Feast of the Transfiguration grapples with the pain of Holy Week. (The
contemporary Church has repackaged this as a pain free story, and in so doing
has failed to understand it). The Feast of the Ascension explores the mystery
of God, the realisation that the humanity of Christ changes heaven, and
addresses the vexed structural issue of the ancient narratorial task of disposing
of the body.
These three Feasts are hinged: they gift us a
Triptych in which we live in the mystery and explore the warp and the woof of the
Eucharist, the Incarnation, and the Holy and Undivided Trinity.
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